MoRM exhibitions are experiments in arts+technology+pedagogy as a response to the powerful impacts of datafication and digitalization in everyday life. This report provides a project update as of January 2018.
This participatory performance and exhibition invites you to think about the process of making memories, to play around with the idea that remembering and forgetting are not always distinct. We ask participants to contribute something they’d like to forget and walk them through a process of dis-remembering, de-archiving, and dis-preserving.
Brief reflections on the power of the curation process, as it inevitably carries our own moral codes, furthering our particular ethics. The only way through this tangle is to understand that the point of all of this is not to create The Museum but to engage citizens in a process through which they can think about their own memory-making tendencies.
Our everyday lives are shot through with questions of politics and history; and now perhaps we need to rethink the Museum’s purpose as providing the space for framing and reflection of each of our relative positions to these larger questions. How, then, to refine our prompt, our approach generally, and develop the role of Museum staff, all towards greater social inquiry and political discovery?