MoRM lives within the larger umbrella (or cloud?) of Future Making. Here’s a possible way of visualizing this larger effort.

This is the first of a series of methodology experiments to explore how certain questions or provocative statements elicit critical analysis around the socio-technical characteristics or impact of so-called “Internet of Things.”

What is the impact of visual material on our analysis and theoretical frameworks? This blogpost reflects on the epistemological trajectories and methodological consequences of working with a video camera as an ethnographic tool.

This participatory performance and exhibition invites you to think about the process of making memories, to play around with the idea that remembering and forgetting are not always distinct. We ask participants to contribute something they’d like to forget and walk them through a process of dis-remembering, de-archiving, and dis-preserving.

Given the ubiquity of networked visuals, and their importance in constructing identities, social entities (i.e. families); attributing meaning or value to different categories or phenomena (i.e. what is beautiful, feminine) – it is important we understand how visual social media is made sense of by users. How do young people make sense of their own practices on and with visual social media apps like Snapchat and Instagram?