Museum of Random Memory
Project Description
This is an ongoing series of performative arts-based public interventions designed to spark deep reflection about the underlying complexities of everyday digital media usage.
We explore such questions as: How is memory-making influenced by platforms like Google, Facebook, or basic photo management software on our computers or smartphones sort and organize our images? How do companies track us and create memories on our behalf?
Project Posts
Algorithmic Gesturing, a 2020 Artwork from MoRM
This 2020 video artwork, Algorithmic Gesturing, troubles the idea of singular connections between memory and archives as well as the ethics of changing data formats.
Speculating with predictive memory-making: The (Black) Box of Memories
At EASST, we used speculative science-fiction to think about current and future algorithms for memory-making. Through a fictional story and its analysis, we discuss the “black-box” metaphor, the business/entrepreneurial aspect of algorithms, and the conception of predictive memory-making.
Glitch Memory: Raising Ethical Questions
At Godsbanen, we retell a woman’s story, one year after she donated her memory to MoRM. On three screens, excerpts and meta-conversations are mutated and glitched algorithmically to raise questions about data degradation and the illusion of the representational archive.
The Sound of Forgetting: Improvisation, experimentation and bricolage
(This blogpost is part of a series of that will be posted in the six days leading up to the Museum of Random Memory: The Sound of Forgetting, happening in Cardiff/UK and Cork/Ireland. See all blogposts in the series.) Over two days (21-22 May 2018), the Museum of...
The Un-archivable and the Sound of Forgetting
As we scavenged through public repositories to build the base for our sound installation, we didn’t have any trouble finding stuff. But we struggled to find ways of adequately including or representing memories that are not archived, or could never be archived.
Structures of Feeling and the irreducible quality of lived social experience
The “Sound of Forgetting” means leaving the commonsensical, datafied understanding of data and acknowledging there is another sense of experiences that might not be at all apparent/heard. Raymond Williams’ idea of “structures of feeling” attempts to conceptualize the irreducible quality of lived social experience.
Workshops & Exhibitions
Algorithmic Gesturing, a 2020 Artwork from MoRM
This 2020 video artwork, Algorithmic Gesturing, troubles the idea of singular connections between memory and archives as well as the ethics of changing data formats.
Making Social Change Requires Academics to Take Risks
This year illuminates many things about the power of microscopic actions and decisions on the ground among everyday people to make impact on issues and systems that are massive, overpowering, or seemingly unchangeable. Among the massive global traumas, like systemic...
Articles studying the impact of COVID-19
Articles that study lived experience of COVID-19 through the lens of digital ethnography and autoethnography
Refine Article Listing
Creating Future Memories Project
MoRM at AIE Godsbanen 2018
MoRM at Museu de Disseny 2017
MoRM theories
All articles 2018
Danish Research Festival 2017
MoRM at Counterplay Fest 2016
MoRM Skagen Conference 2018
All articles 2016
All articles 2019
MoRM at Cardiff and Cork 2018
MoRM at Counterplay Fest 2017
MoRM video clips
All articles 2017