Museum of Random Memory
This is an ongoing series of performative arts-based public interventions designed to spark deep reflection about the underlying complexities of everyday digital media usage.
We explore such questions as: How is memory-making influenced by platforms like Google, Facebook, or basic photo management software on our computers or smartphones sort and organize our images? How do companies track us and create memories on our behalf?
At EASST, we used speculative science-fiction to think about current and future algorithms for memory-making. Through a fictional story and its analysis, we discuss the “black-box” metaphor, the business/entrepreneurial aspect of algorithms, and the conception of predictive memory-making.
At Godsbanen, we retell a woman’s story, one year after she donated her memory to MoRM. On three screens, excerpts and meta-conversations are mutated and glitched algorithmically to raise questions about data degradation and the illusion of the representational archive.
(This blogpost is part of a series of that will be posted in the six days leading up to the Museum of Random Memory: The Sound of Forgetting, happening in Cardiff/UK and Cork/Ireland. See all blogposts in the series.) Over two days (21-22 May 2018), the Museum of...
As we scavenged through public repositories to build the base for our sound installation, we didn’t have any trouble finding stuff. But we struggled to find ways of adequately including or representing memories that are not archived, or could never be archived.
The “Sound of Forgetting” means leaving the commonsensical, datafied understanding of data and acknowledging there is another sense of experiences that might not be at all apparent/heard. Raymond Williams’ idea of “structures of feeling” attempts to conceptualize the irreducible quality of lived social experience.
What is the sound of absence? In MoRM’s The Sound of Forgetting, we’re creating a collaborative soundscape that dramatically embodies unseen elsewheres – evoking through sound the unheard and unseen, the departed and the deported.
Workshops & Exhibitions
Upcoming PhD symposium features anthropologist and STS scholar Nick Seaver, talking about Critical Algorithm Studies. Register now for this May 27, 2019 symposium!
BioBruno MoreschiBruno Moreschi is a researcher and artist with projects related to the deconstruction of complex systems, among them the visual arts, especially their physical and virtual spaces of legitimation. He has a PhD in Visual Arts at Unicamp (State...
What’s the value of transgressiveness? The Skagen Institute annual conference offers opportunities you never thought you needed. Jannek Sommer offers a small riff in this post.
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Creating Future Memories Project
MoRM at AIE Godsbanen 2018
MoRM at Museu de Disseny 2017
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Danish Research Festival 2017
MoRM at Counterplay Fest 2016
MoRM Skagen Conference 2018
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MoRM at Cardiff and Cork 2018
MoRM at Counterplay Fest 2017
MoRM video clips
All articles 2017