MoRM lives within the larger umbrella (or cloud?) of Future Making. Here’s a possible way of visualizing this larger effort.
short video clip showcasing the exhibition of MoRM at the Museu del Disseny in Barcelona. Held in collaboration with two local groups: The D-Futures project and Diásporas Críticas activist collective.
This is the first of a series of methodology experiments to explore how certain questions or provocative statements elicit critical analysis around the socio-technical characteristics or impact of so-called “Internet of Things.”
In this post, Dr. Margie Borschke riffs on the question of “Can you turn your process into product?”, a question she uses to provoke journalism students to extend their imagination about what counts.
Student researchers from Digital Living MA Programme designed an exhibition of the Museum of Random Memory (MoRM) highlighting its value as data literacy. Held at the Aarhus Festival of Research in April 2017.
What is the impact of visual material on our analysis and theoretical frameworks? This blogpost reflects on the epistemological trajectories and methodological consequences of working with a video camera as an ethnographic tool.
Through an auto-ethnographic visual essay, I think through the power of graphic design as a tool–not only for provoking opinions, but also to change how we define people and shape expressions.
This blogpost focuses on the methodological challenges of studying the dynamics of technologically and computationally mediated publics, especially regarding young people’s experiences.
When I was in the early stages of my PhD, I arranged to write a joint article with Egyptian activist, Sherief Gaber. Sherief is part of the Mosireen collective, which was a focal point of my research.