As we scavenged through public repositories to build the base for our sound installation, we didn’t have any trouble finding stuff. But we struggled to find ways of adequately including or representing memories that are not archived, or could never be archived.
The “Sound of Forgetting” means leaving the commonsensical, datafied understanding of data and acknowledging there is another sense of experiences that might not be at all apparent/heard. Raymond Williams’ idea of “structures of feeling” attempts to conceptualize the irreducible quality of lived social experience.
What is the sound of absence? In MoRM’s The Sound of Forgetting, we’re creating a collaborative soundscape that dramatically embodies unseen elsewheres – evoking through sound the unheard and unseen, the departed and the deported.
May 21-22, 2018, the Museum of Random Memory’s latest installation “The Sound of Forgetting” comes to Cork as well as the Data Justice Conference in Cardiff. With some help from local DJs, we mix sound archives and participants’ voices to build soundscapes between the two sites.
April 6-8, 2018. Artists, activists, social scientists, architects, and information designers convene for the 2018 Museum of Random Memory Workshop in Skagen, Denmark. The goal? To bring together a unique set of trans disciplinary perspectives on how public,...
Challenging the Boundaries of Journalism through Communicative Objects: Berlin as a Bike-friendly City and #Radentscheid
In December 2017, Martin Brynskov and me published a collaborative and exploratory piece on communicative objects. The prompt was a special issue of the Brazilian open access journal Parágrafo, managed and edited by Rafael Grohmann, on “Boundaries of Journalism”...
MoRM exhibitions are experiments in arts+technology+pedagogy as a response to the powerful impacts of datafication and digitalization in everyday life. This report provides a project update as of January 2018.