Theoretical & Conceptual Background
MoRM is based on a collaboration among artists, activists, tech designers, and scholars. Here, you’ll find some pieces examining the purpose, implementation, engagement, and analysis/evaluation of MoRM.
As we scavenged through public repositories to build the base for our sound installation, we didn’t have any trouble finding stuff. But we struggled to find ways of adequately including or representing memories that are not archived, or could never be archived.read more
The “Sound of Forgetting” means leaving the commonsensical, datafied understanding of data and acknowledging there is another sense of experiences that might not be at all apparent/heard. Raymond Williams’ idea of “structures of feeling” attempts to conceptualize the irreducible quality of lived social experience.read more
What is the sound of absence? In MoRM’s The Sound of Forgetting, we’re creating a collaborative soundscape that dramatically embodies unseen elsewheres – evoking through sound the unheard and unseen, the departed and the deported.read more
May 21-22, 2018, the Museum of Random Memory’s latest installation “The Sound of Forgetting” comes to Cork as well as the Data Justice Conference in Cardiff. With some help from local DJs, we mix sound archives and participants’ voices to build soundscapes between the two sites.read more
MoRM exhibitions are experiments in arts+technology+pedagogy as a response to the powerful impacts of datafication and digitalization in everyday life. This report provides a project update as of January 2018.read more
MoRM lives within the larger umbrella (or cloud?) of Future Making. Here’s a possible way of visualizing this larger effort.read more
Creating Future Memories
This page is part of Creating Future Memories, an Aarhus University funded research project exploring speculative, future-oriented, and participatory methods for citizens to understand and better control the data being produced through and around the everyday use of digital media.